35mm
With Baby Driver and continuing now with this film, I’ve gradually come to the conclusion that Edgar Wright desperately wants to make a musical but for some odd reason lacks the cojones to actually shoot a real musical number. Just commit to the bit! It’d probably turn out alright. Otherwise I don’t really see an end in sight to these lifeless ventures of his.
Another solution: a new writing partner. No, not a handsomely paid three-act-structure specialist handed to you by the studio. But a real creative partner. Maybe enlist some of the actors? (Anya Taylor-Joy and Matt Smith were disturbingly underutilized).